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Our bewildered hero has to adjust to the loss of his family and the entire world, but hooks up with several others--including a tough black woman (Naomie Harris) and a likable London cabbie (Brendan Gleeson)--on a perilous trip northwards, to seek refuge at army officer Christopher Eccleston's fortified retreat. However, even if they survive the plague, the future of humanity is still in doubt.
Directed by Danny Boyle and scripted by novelist Alex Garland, this is a terrific SF/horror hybrid, evoking American and Italian zombie movies but also the very British end-of-the-world tradition of John Wyndham (Day of the Triffids) and Survivors. Shot on digital video, which gives the devastated cityscapes a closed-circuit-camera realism, this grips from the first, with its understandably extreme performances, its terrifyingly swift monster attacks and its underlying melancholy. Deliberately crude, 28 Days Later is also sometimes exceptionally subtle. --Kim Newman
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Danny Boyles latest piece far surpasses previous projects such as 'The Beach' allthough not the box office smash 'The Beach' was this film has been grossly under appraised. Though he has proved himself over previous years to be a excellent director, in the horror / thriller genre of 28 Days Later he has found his niche.
The film has a unique and twisting plot which exhibits and element of realism rarely seen in a film of its kind. Unlike most horror movies of the past decade, it is impressively belivable, this is accentuated by the enitre film being shot with DV cameras.
We see a post-apocalyptic London, desolated by a freak virus, aptley titled 'rage', which has basically turned the majority of the UK population into psychotic zombie-esque killers. The story follows everday guy (Cillian Murphy) in a journey of dealing with the realisation of the changed world and his survival. Teamed up with a handful of survivors, they struggle to find hope in this starkingly eerie and threatening world.
Alhough the film has no A-List stars in it, it includes great performances by such people as Christopher Ecclestone as a sinister army commander. The whole film is beautiful, belivable and scares the hell out of you in its approach. A true British classic which again has gone relatively unappreciated because it lacks the Hollywood glitz of other films.
If you want to be scared, watch this movie.
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