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| 1. I'm Alive |
| 2. If He Should Ever Leave You |
| 3. We Got Love |
| 4. Feels Like Music |
| 5. Give A Little Love |
| 6. The Road |
| 7. In Style And Rhythm |
| 8. Sugar Daddy |
| 9. Seasons |
| 10. Never |
| 11. The Hitter |
| 12. Seen That Face |
| 13. 24 Hours |
Review Another reason the album succeeds is that, despite a few covers, the majority of the material on offer is co-written by Jones himself. While most of it never really breaks out of the kind of lounge soul that made him a star of the Saturday night variety all those years ago, the subject matter is a surprise. Family, friends and past mistakes are all addressed here. Seasons, a convincing southern soul simmerer looks back over a career filled with many wrong turns. But the key text here is The Road, a blue-eyed schmaltzer that pays tribute and apologises to Linda, his long-suffering wife of over 50 years. "I know I caused you pain/Left you shattered on the ground". It's the heartfelt sound of an ex-philanderer paying his dues at last, and it convinces. Later on Never he again re-affirms his love for her. Bless him.
In the cover versions corner he plays it fairly safe. Tommy James' I'm Alive is the kind of material he would have belted out in the clubs in '65, whereas Springsteen's The Hitter is gritty enough to resist any messing other than turning it into an Otis-lite ballad. The only big mistake is Sugar Daddy. Written by Bono and The Edge, it portrays Tom as the worst kind of lecherous old geezer: bumping and grinding in a style most unbecoming of his age.
In the end, the Voice from the Valleys still rings true. At this age (and with a sizeable fortune to fall back on) there's no reason why Jones should even get out of bed. To turn in an album this hungry at this age speaks volumes about his desire to prove that he's still got it. And he has. --Chris Jones
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