- Audio CD
- Number of Discs: 1
- Format: Import
- Label: Japan
- ASIN: B002Y3DEPO
- Other Editions: Audio CD | Vinyl | MP3 Download
- Average Customer Review: 4.6 out of 5 stars See all reviews (5 customer reviews)
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Product Description
Amazon.co.uk Review
As if getting a spread in a popular home decor magazine just a month prior to this album's release wasn't enough of a tipoff, Blonde Redhead have come a long way since their days of mimicking Sonic Youth's brittle art-rock. Clanging guitars have been replaced by warm synthesizers and soft strings, while Japanese singer Kazu Makino's thin voice has become a ghostly moan on the grandiose opener and title track of the New York trio's seventh full-length release, 23. Their last one, 2004's Misery Is a Butterfly, was a lovely throwback to the dream-pop heyday of the Cocteau Twins and Lush. This one presses further down that road, only with a more experimental streak, as cascading guitars, military rhythms, and wobbly melodies shape opulent, otherworldly songs like "The Dress" and "My Impure Hair." --Aidin Vaziri
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Customer Reviews
Most Helpful Customer Reviews
6 of 6 people found the following review helpful
Format:Audio CD
To be direct and clear, Blonde Redhead's 7th LP, "23", is exactly at the cross of Emiliana Torrini's "Love In The Time Of Science", Mercury Rev's "All Is Dream" and My Bloody Valentine's "Loveless" (Alan Moulder, engineer for that last record, has mixed two tracks of the present item, and that's saying something). And yes, it's THAT good.
I don't wanna quote any song "in particular" (private joke, when you get me...), as each of the ten here are absolute gems. But to fans of the previous two albums, namely "Melody Of Certain Damaged Lemons" (2000) and follow-up "Misery Is A Butterfly" (2004, and their 4AD debut), be warned that "23" is a work that might not appeal on first listen. To be more accurate, the production is far less "organic" than Guy Picciotto's job on these masterpieces, as the trio seems to have oriented their sound towards both a much poppier and etherial approach (ranking this LP alongside earlier 4AD releases, like Cocteau Twins's "Treasure"), while also deciding to produce it themselves, to obtain a more hypnotic feel to most of the material featured here.
Anyhow, if their first four Lps showcased an obvious Sonic Youth-oriented sound, it took them the last 8 years and an awful lot of time getting their act together to stand, eventually, among American's Alternative Music Scene's best acts at a unique place: a band as much treasured for the universality of their melodies as for the way they find out how best to carve these marvels deep inside our hearts, bodies and souls.
A strong contender for album of the year, NO LESS.
I don't wanna quote any song "in particular" (private joke, when you get me...), as each of the ten here are absolute gems. But to fans of the previous two albums, namely "Melody Of Certain Damaged Lemons" (2000) and follow-up "Misery Is A Butterfly" (2004, and their 4AD debut), be warned that "23" is a work that might not appeal on first listen. To be more accurate, the production is far less "organic" than Guy Picciotto's job on these masterpieces, as the trio seems to have oriented their sound towards both a much poppier and etherial approach (ranking this LP alongside earlier 4AD releases, like Cocteau Twins's "Treasure"), while also deciding to produce it themselves, to obtain a more hypnotic feel to most of the material featured here.
Anyhow, if their first four Lps showcased an obvious Sonic Youth-oriented sound, it took them the last 8 years and an awful lot of time getting their act together to stand, eventually, among American's Alternative Music Scene's best acts at a unique place: a band as much treasured for the universality of their melodies as for the way they find out how best to carve these marvels deep inside our hearts, bodies and souls.
A strong contender for album of the year, NO LESS.
3 of 3 people found the following review helpful
Format:Audio CD
Blonde Redhead's breathtaking album combines the sonic intensity of shoegaze pioneers My Bloody Valentine with the dream pop of Cocteau Twins and Lush. Despite the stylistic conceits, they overwhelm the listener with the strength of the songwriting and dazzling, dizzying soundscapes. Like contemporaries Asobi Seksu (check out their stunning single 'Thursday'), they mine a territory between some of the aforementioned bands but somehow create something greater than a sum of their influences.
Opener '23' gallops out of the speakers at a white-knuckle velocity, Kazu Makino's vocals soaring and diving in melodic layers over frenetic guitars and heavy-doses of Kevin Shields-style reverb. 'Dr Strangeluv' is gentler, redolent of Cocteau Twins circa 'Heaven or Las Vegas', while the icy, ethereal 'Dress' could from Goldrapp's 'Felt Mountain'. 'SW' is more daringly original, part-Radiohead, part-Sigur Ros, part-M83, it features a male vocal lead, a propulsive breakbeat and weird Sergeant Pepper-style brass arrangements. 'Spring And By Summer Fall' keeps up the ferocious pace with Black Sabbath style vocals in a call and response with guitars echoing the vocal hook.
'Silently' is lovely ethereal pop in the mold of Elizabeth Fraser and Kate Bush, while 'Publisher' and 'Heroine' feature vocal manipulations for something more drifting and otherworldly, the latter owing a debt to early Goldfrapp in particular. 'Top Ranking' is more conventionally song orientated, but given bite by a crunching, rolling beat and other sonic emphemera. 'My Impure Hair' is underpinned by a wonderfullly discordant country tinge, a somnabulant merry-go-round finale.
The album is packed with ideas but never feels top heavy, blurring all the studio trickery into its technicolour swirl. One of the albums of the year; if you like this you might like M83's 'Lost Cities, Read Seas and Lost Ghosts', Asobi Seksu, Cocteau Twins, Goldfrapp and My Bloody Valentine, or even the Lost in Translation soundtrack.
Opener '23' gallops out of the speakers at a white-knuckle velocity, Kazu Makino's vocals soaring and diving in melodic layers over frenetic guitars and heavy-doses of Kevin Shields-style reverb. 'Dr Strangeluv' is gentler, redolent of Cocteau Twins circa 'Heaven or Las Vegas', while the icy, ethereal 'Dress' could from Goldrapp's 'Felt Mountain'. 'SW' is more daringly original, part-Radiohead, part-Sigur Ros, part-M83, it features a male vocal lead, a propulsive breakbeat and weird Sergeant Pepper-style brass arrangements. 'Spring And By Summer Fall' keeps up the ferocious pace with Black Sabbath style vocals in a call and response with guitars echoing the vocal hook.
'Silently' is lovely ethereal pop in the mold of Elizabeth Fraser and Kate Bush, while 'Publisher' and 'Heroine' feature vocal manipulations for something more drifting and otherworldly, the latter owing a debt to early Goldfrapp in particular. 'Top Ranking' is more conventionally song orientated, but given bite by a crunching, rolling beat and other sonic emphemera. 'My Impure Hair' is underpinned by a wonderfullly discordant country tinge, a somnabulant merry-go-round finale.
The album is packed with ideas but never feels top heavy, blurring all the studio trickery into its technicolour swirl. One of the albums of the year; if you like this you might like M83's 'Lost Cities, Read Seas and Lost Ghosts', Asobi Seksu, Cocteau Twins, Goldfrapp and My Bloody Valentine, or even the Lost in Translation soundtrack.
3 of 3 people found the following review helpful
Format:Audio CD
I had never heard of Blonde Redhead until I listened to their latest album in my local Fopp store. Wow! I was instantly taken aback by their sound and decided to purchase the CD. Not a bad decision at all in hindesight.
The female singer has, as a previous reviewer said a ghostly and quite unique voice which immediately caught my attention. I especially like the opening track '23', 'Heroine' and the stunning 'Silently' (my favourite) sung by her. I like other tracks by the male members of the group 'Spring and by summer fall' a really energetic and slightly rocky number which effectively varies the tone of the album.
I have played this album a lot and I'm not bored yet. A real find! I will now have to investigate their other albums. Album of the year for me so far.
The female singer has, as a previous reviewer said a ghostly and quite unique voice which immediately caught my attention. I especially like the opening track '23', 'Heroine' and the stunning 'Silently' (my favourite) sung by her. I like other tracks by the male members of the group 'Spring and by summer fall' a really energetic and slightly rocky number which effectively varies the tone of the album.
I have played this album a lot and I'm not bored yet. A real find! I will now have to investigate their other albums. Album of the year for me so far.
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Most Recent Customer Reviews
Superlative
I've listened to Blonde Redhead on and off for a few years, starting with the first song of theirs I heard: 'I still get rocks off'. Read more
Published on 11 April 2008 by ejstans
23 magic
Blonde Redhead has really softened over the years -- you won't find angular melodies and jagged guitars in "23."
In fact, it's not really rock at all. Read more
In fact, it's not really rock at all. Read more
Published on 10 April 2007 by E. A Solinas
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