I have read the first two 'cultographies' published in this series, and immediately ordered the third. Both are excellent books of film criticism. The RHPS title, like the Donnie Darko text, is aimed, I would guess, at those who are interested in the study of cinema, rather than those who are themselves RHPS cultists (although the two are not mutually exclusive). There are now at least three different series of small books that deal with particular films. The worst of these are written without rigour by fans, and reiterate facts and trivia. The titles in this series so far have treated the films with both enthusiasm and intellectual/critical respect, taking as their starting point the presumption that the films merit and deserve proper consideration. The RHPS title explains how the film became (after a fairly hesitant start) a cult phenomenon and a part of the popular culture landscape, and pays particular attention to gender issues (including the treatment of marriage and sexual stereotypes), and to its own treatment of the 'science fiction double feature'. The language is scholarly but entertaining, there are endnotes, and the content was sufficiently stimulating for me both to read the book in one go on a wet afternoon, and then to pull out and rewatch the DVD. If the author ever reads this review, thank you!