Edward Burns' edition happily fulfills all the expectations we should have of an Arden Shakespeare edition : very good textual scholarship, and a thorough introduction. The introduction is nicely focused on performance history, following the general editorial advice of the third series, which is a spoon of jam in a world of marmite to anyone who has been smacked in the face by a bewilderment of 'Q1, Q2, F1 (1623)' details of textual scholarship which prevailed from the get-go in many of the earlier Arden editions. Which is not to say that Burns isn't good on that point - he provides an excellent and seeming-comprehensive survey of recent critical debate about the authorship, original conception, and development of the play. And the commentary and notes throughout the play text are as detailed and useful as you could wish.
So, as I was looking for a copy to study from, this was clearly an excellent choice. If I just wanted to read some Shakespeare, or needed a performance text, the critical apparatus might get in the way.