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Les Enfants du paradis, a magnificent picaresque saga of Parisian street life and popular culture, has been called the greatest film ever made. Completed during the Occupation, it nevertheless boasted the largest set ever to have been built in a French studio, a crowd of extras and, under the direction of Marcel Carne, some of the most accomplished technicians and actors available (including Arletty and Jean-Louis Barrault as the central couple doomed to remain apart). Jill Forbes examines how, at a time of crisis, the film reimagined the history of France. Although Les Enfant du paradis is escapist, even fantastic, Forbes finds in it a radical, counter-cultural sensibility concerned with destabilising social hierarchies and prescribed sexual roles and questioning the opposition between life and art. Vibrant, joyous but also touched by melancholy, the film combines the traditions of high culture and popular theatre to remarkable effect.
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3.0 out of 5 stars (1 customer review)
1 of 7 people found the following review helpful:
3.0 out of 5 stars
c'est d'accord, 4 May 2000
By seamus enright - Published on Amazon.com
This review is from: "Enfants du Paradis" (BFI Film Classics) (Paperback)
As I'm not as big a fan of Carne's filmas the author of this book appears to be, I'm probably not the best qualified to review her study. While I admire the amount of research that has obviously gone into it, her understanding of the histotical and cultural traditions to which it belongs, the film itself seems to get lost somewhere. Unlike many books in the series, we learn little about the author herself and the impact it's had on her life. The historical information is interesting, but it didn't make me want to rush out and watch the movie again.
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