"Arden editions have traditionally served as primary texts for many scholars...an Arden editor must present an overview of the play's criticism [and] must also take into account the play's ongoing dissemination through performance on stage and screen. Despite these arduous demands, Dusinberre's edition, with its editorial apparatus, its substantial introduction (142 pages), its notes, and its various appendices, fulfills the above requirements admirably...Dusinberre addresses a theater history that bears witness to the impact that various social movements, especially feminism and gay/lesbian (and now queer) activism, have had on the performance of one of Shakespeare's most gender-bending plays...It inscribes the feminist, queer, and historicist criticism of the past thirty years into the historical memory of Shakespeare studies."--"Shakespeare Quarterly"
About the Author
Juliet Dusinberre is the author of the pioneering work in feminist criticism, "Shakespeare and the Nature of Women," of "Virginia Woolf's Renaissance: Woman Reader or Common Reader?," and of "Alice to the Lighthouse: Children's Books and Radical Experiments in Art." She is a Fellow of Girton College, Cambridge, and was its first M.C. Bradbrook Fellow in English.