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21 of 21 people found the following review helpful:
5.0 out of 5 stars
A monster of a CD!, 4 Mar 2004
I first bought this in 1980, then bought it on CD in the late 80's, then didn't have a copy for around 10 years. I bought it again a few months ago, and just HAD to crank up the volume and just listen. Too often concept albums are individual tracks forced together and it doesn't work that well, but the track 2112 is a masterpiece of thematic writing. There are essentially 3 themes (and variations on these themes) that are used throughout to tremendous effect, and a storyline that sounds like it should be the storyline from a Phillip K Dick novel. This is the middle ground between the early 70's rock and the late 70's arty rock that Rush produced, and they have rarely done better! The other tracks here are pretty damn good too - 'Passage to Bangkok' is basically a journey through the world's dope capitals, 'Something for Nothing' is a concert favourite, and then...the ballad! How on earth did 'Tears' get on an album like this? It's got keyboard strings and no distorted guitar at all, but it really fits in well. In fact, it's a very beautiful song. You know, I think I'm going to have to go and play it again...
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12 of 12 people found the following review helpful:
5.0 out of 5 stars
Ageless Rock, 4 July 2006
I first heard this back in 1977 after a certain Sounds (remember them?) critic called Geoff Barton raved about this band. Then it sounded, as it does now, as one of the greatest rock albums of all time, the title track in particular is the kind of aural assault that future bands such as Metallica would try to emulate. Future albums are maybe lyrically better but despite this, it is a great album and all I can say to the few reviewers that have slagged it off is that true greatness is rarely appreciated by all.
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11 of 11 people found the following review helpful:
5.0 out of 5 stars
One of prog rock's finest, 3 Mar 2005
This is certainly one of Rush's greatest albums and the band is unquestionably one of only a select few who have been able to write so consistently well over such a long career. I differ from some of the reviewers in their comments regarding the second half of the album, i.e. the songs not part of the 2112 suite. I actually prefer these to some of the sections from the first side, in particular, Twilight Zone, Lessons and Tears. Listening to these three songs in a row has remained a pleasure for the best part of 20 years. The musicianship, arrangements and general song-writing abilities on show here are simply breathtaking. As for the Amazon review, this is borderline disrespectful. The Amazon writer should remember just how many tens of millions of records Rush have sold over their 30-year reign at the top of prog/intelligent rock & metal. You don't have to be the most photogenic or 'cool' band to succeed, thank god. If you are a Rush fan you will of course already own this album. If you are new to the band, this is a must. Anyone who can play an instrument or write a song to a decent level will appreciate this even if you don't consider yourself a rock fan. Most highly recommended!
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