The Eurythmics weren't the first to try recreating Orwell's chilling novel in musical form. Several years previously, David Bowie had done the same with half of the tracks on his "Diamond Dogs" album. However, this album captures Eurythmics at (another) artistic high. Coming off the commercial success of "Touch", they were asked to formulate a soundtrack for the movie "1984". What they finally produced is arguably one of the most abstract yet fantastic film soundtracks to date- too bad director Michael Radford didn't see this when he originally included only 15 seconds worth on the first film version. The album starts brilliantly with the drip-drop sounds of "I Did It Just The Same", a track which hasn't aged at all. This swiftly moves into "Sexcrime (1984)", one of the most dance-orientated songs the duo have ever made and one of their most successful. Other gems on this album include a ballad dedicated to "Julia", the anti-heroine of the novel, "Minisry of Love", a haunting yet energetic audio version of the department where Winston is eventually taken and "Greeting from a Dead Man", a hypnotic dance beat merged with Lennox's piercing vocals. There are 2 small disappointments, however, with this album. Firstly, it seems to be quite short when compared to other albums, but secondly, some tracks like "Julia" are slightly too long (6 minutes and 30 seconds). BUT, a promising album with an excellent showcase of vocal pyrotechnics and electronic soundscapes. Wait til you see what the duo produced next...