1980 is a little different than what you may expect from Gil Scott Heron, though with its title and neon frame, you probably would not arrive here expecting the 1970s poetry rap experiments.
This is extremely danceable, with beats approaching disco. But is a tough disco that relies on a funk impulse, and never orchestration.
By this point, Heron had become a full fledged and excellent singer, not just a poet singing. His voice here is well integrated into the mix. Despite his passion, Heron always kept a clean and natural singing style, and this serves 1980 quite well.
Different approach, same Gil Scott Heron, and as always, that equals a buy.