Once again Marnie Fogg captivates us with fashion and fabric with the arrival of `1950s Fashion Print'
This book engages us into a romance of how fashion print embraced its future after WW2, its restrictions and seized a new sense of modern industrialisation and utilisation.
Fogg breaks down the books synopsis through five fundamental sections; `Abstraction' welcomes an exploration of freedom through everyday substance manipulation. For example the human form and focus upon shape. `The Narrative, Novelty and The Jive' celebrates the birth of conversational print through movement and symmetry. `Artistic Licence' illustrates how fashion print from the fifties delivered such a spontaneous assault on pattern through its depicted fabric and design and lastly `Kinetic' being the principals that governed the making of print through motion whilst celebrating a shift of women being the hostesses within the newly modern suburbia.
With focuses on textile designers such as Lucienne Day and fabric market leader David Whitehead Ltd each section reads beautifully whilst displaying an intensity between the written word and captured fabric, some examples even find you brushing your hand over each sample in order to understand a sense of how the designer communicated with the fabric and general census of the 1950s new found ideology.
Fogg's book successfully conveys how this decade developed in style and depth. From well known references to Abstract Expressionists Jackson Pollock and Paul Klee and illustrative reference towards periods such as Futurism and Cubism I can see a link between fifties Graphic Designer Paul Rand for his collage and pattern making design process and it is interesting to note just how each artist in their medium whether a painter, graphic or textile printer became as one to create such striking examples that we exploit even in today's age through examples such as expressionist wallpaper and vintage clothing.
I fell in love with this book and feel that anyone who enjoys textiles and print would fair the same way.