True to her very personal and well-tried approach, Lyn Macdonald's 1914-1918 Voices and Images of The Great War stands out in the oral historiography of the War as a feat only she herself might ever be able to parallel. Unlike J.C. Dunn in his The War the Infantry Knew, Macdonald draws her material from the widest scope of testimonies available. Aside from the direct appeal of the eyewitness account, she intersperses her survey with the naiveté of soldier's poetry, press ads and pics, jokes and cartoons, songs and letters sometimes highly intimate, to mention but a few.
In so doing, her approach becomes decidedly essayistic, and it is up to the reader to decide which impression will prevail from his reading experience: the one of a heightened sense of life or commitment to whatever specific cause one was involved in, or of an increasing numbness triggered by the sheer impossibility to cope with such turn of events one was dragged into.
What will stick in my memory, is the eloquence and appeal of the ordinary man and woman's attempt to bend the inconceivable into appropriate shape of text or image. In its directness this is a superb instance of alternative history in its own right; it easily surpasses much of the canonized history of the ominous onset of a dark century.