Wow! These books, here gathered into a single volume, amount to, as the author points out, something 'fairly vast.' Paul Britten-Austin describes his book as a "word film". And, constructed from a collage of predominantly 'allied' accounts (i.e. from the French/Grande Armee side), it does have something of that quality. The hefty use of firsthand accounts makes the book very vivid and engaging, which is fantastic. My only quibble on this score is that it's not always clear who's being quoted.
Paul Britten-Austin's writing style is quite different in tone to any of the other authors I've read so far on this subject, which is refreshing: I Iike a writer who says "i'sooth"! He's also the only author, besides Burns, that I've encountered using the term 'agley', as in 'aft gang agley', for when things go 'wrong'!
Overflowing with lively anecdotal detail from all manner of ranks (but unsurprisingly weighted towards the higher echelons), such details as the sufferings of Heinemann, a German officer of voltiguers, and survivor of a virtual massacre, as he escorts a wounded sergeant to the rear, before becoming a prisoner of some Cossacks, are just one example among many of the fascinating and touching insights the book is packed with. In this instance there's actually a happy end to the story (in fact two happy ends, but I'll let you read the book and find out what they are!), which is both rare, in a tale so dominated by such an extraordinary and monumental descent into self-destruction, and nice.
Massive, oui? Enthralling and compelling aussi? Mais, oui! Highly recommended.