12 Years a Slave 2013

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A man living in New York during the mid-1800s is kidnapped and sold into slavery in the deep south.

Starring:
Paul Giamatti, Benedict Cumberbatch
Rental Formats:
DVD, Blu-ray

Product Details

Discs
  • Feature ages_15_and_over
Starring Paul Giamatti, Benedict Cumberbatch, Michael Fassbender, Sarah Paulson, Alfre Woodard, Brad Pitt, Lupita Nyong'O, Chiwetel Ejiofor, Paul Dano
Director Steve McQueen
Genres Drama
Studio ENTERTAINMENT ONE
Rental release 12 May 2014
Main languages English
Discs
  • Feature ages_15_and_over
Starring Chiwetel Ejiofor, Michael Fassbender, Benedict Cumberbatch, Paul Dano, Paul Giamatti, Lupita Nyong'O, Sarah Paulson, Brad Pitt, Alfre Woodard
Director Steve McQueen
Genres Drama
Studio ENTERTAINMENT ONE
Rental release 12 May 2014
Main languages English

Customer Reviews

4.2 out of 5 stars
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Most Helpful Customer Reviews

3 of 3 people found the following review helpful By Mr. C. Gelderd VINE VOICE on 7 Aug 2014
Format: Blu-ray
It was so refreshing to watch a film recently that was fuelled by clear, precise direction by British talent in the likes of Steve McQueen, carried along with a superb ensemble cast and driven by nothing but a hard-hitting and powerful human story. No expansive CGI; no bombastic soundtrack; no plot trying to be too clever; no invincible characters; no controversial and ego-inflated leading stars…it was a film stripped back from everything that makes millions (even billions) at the box-office at the sacrifice of something worthy and a film that remains more memorable and all the more relevant for it.

You know that films marketed and bolstered by such a sensitive subject, like ’12 Years A Slave’ dealing with slavery, will either be a very mis-guided affair or something major for audiences that will linger with those who see it for a long time. Thankfully this is the latter. Much like the most horrifying factual stories in history, these prove to be…what’s the word...not “entertaining”, but gripping and something you can’t help but watch, and re-watch, and immerse yourself in. ‘Schindler’s List’, ‘Ghandi’, ‘The Pianist’ and ‘Hotel Rwanda’ spring to mind about films taken from pockets of our world’s history of war, genocide, revolution and religion. But none have dealt with slavery such as ’12 Years A Slave’ and without preaching to audiences about the ‘sins of their country’ decades ago, this is simply a film that highlights what director McQueen feels strongly about for a subject that, horrifyingly, still is active in parts of the world today. It’s a timeless film that reminds you about just how cruel the world can be, and still is, to our fellow man.
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7 of 7 people found the following review helpful By Mrs. BW Richardson on 26 May 2014
Format: DVD Verified Purchase
A wonderful film showing the horror of slavery and one man's determination to not be beaten into submission. A gritty and sometimes horrifying film.
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65 of 72 people found the following review helpful By R. J. Lister on 14 Jan 2014
Format: DVD
I want to put into words how this film affected me, but, appropriately enough, there aren't the words there. Steve McQueen's adaptation of Solomon Northup's memoir is a film in which words are precious and very carefully chosen - whether shouted or sung or uttered in whispers out of earshot of the savage ruling class.

Northup (Chiwetel Ejiofor) is a free man tricked into slavery. The story charts his ordeal - and those of countless others - under the tortuous watchfulness of a series of plantation owners, cruellest of whom is Edwin Epps (McQueen regular Michael Fassbender). It is a film whose relentless scenes of abuse are punctuated by levity of only the most desperate and solemn kind, and which is determinedly unbothered by the comforts of sentimentality.

Ejiofor captures the agony at the heart of Northup, from the initial indignity of his situation, through physical torture endured, observed and committed, to the brutal annihilation of his character through supremacist re-education. In place of the stock conclusions drawn by Hollywood, John Ridley's script has other ideas: rather than rousing speeches there are bursts of quickly-suppressed anger; instead of soaring emotion, upon release Northup remains bound in the shackles of guilt left upon him by the guilty.

As with his previous films (Hunger and Shame), McQueen embeds meaning in the frame. These aren't pretty images for the sake of it. The burning of a letter represents the dwindling of hope - and yet how long it seems to take to dwindle, and we linger until every sliver of fire is spent, staring ever harder for the remaining light in the darkness. Northup is staring also, unblinking, into the abyss of humanity around him, holding out for some such glimmer.
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20 of 22 people found the following review helpful By Samarees Sword on 25 May 2014
Format: DVD
What surprised me most about this film is that it is almost a quiet story; nearly intimate.
When Solomon sees his wife after 12 years, he doesn't spout hatred at his misfortune, he apologizes. The film doesn't shout protestations or insults at white en-slavers, it is an endearing and harrowing tale of a dignified man.
This doesn't mean there aren't moments that make one flinch and feel the immense emotion for millions of people who were victims of a vile and horrific business, but it is whispered through the glimpses of the sun-drenched porches- it is sung with the voices of the surrendered and the strings of Solomons' violin.

The film is mostly told from Solomon Northups' perspective, though Steve McQueen often uses his camera eye as omniscient narrator as well.
The cinematography is poetic, sublime and at times magnificently beautiful, even through the terror. There is a scene when our protagonist is nearly hung by neighboring slavers, in a few takes which seemed like an eternity; we marvel and are disgusted by its base, lack of humanity, all the while fellow slaves go about their daily lives in a beautiful summer setting in the Deep South,the crickets humming to the heat,ignoring the injured- nearly hung body of Solomon. This scene struck a raw chord, as it truly encapsulated a perfect depiction of what slavery was; the life of a slave was worthless to most.

McQueen used music motifs effectively, employing sour tones during its darkest moments, which added to the well-crafted artistry of this film.
The characterizations of all the players were superb; Ejiofor, believable and heartfelt in every scene.
My only complaint would be the passing of 12 years.The audience couldn't grasp the passing of all that time; to me,it is vitally important to make the toll and weight of all those years as part of the narrative, as it shaped Solomons' experience.
However this is an historical tale,wonderfully told and not to be missed.
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