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101 Sonnets
 
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101 Sonnets [Paperback]

Don Paterson
4.6 out of 5 stars  See all reviews (9 customer reviews)
RRP: £7.99
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101 Sonnets + The New Poetry + Changing My Mind: Occasional Essays
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Product details

  • Paperback: 160 pages
  • Publisher: Faber and Faber (1 Mar 2012)
  • Language English
  • ISBN-10: 0571278736
  • ISBN-13: 978-0571278732
  • Product Dimensions: 19.4 x 12.6 x 1.2 cm
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (9 customer reviews)
  • Amazon Bestsellers Rank: 237,185 in Books (See Top 100 in Books)

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Don Paterson
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Product Description

Amazon.co.uk Review

The sonnet is, along with the limerick, the most widely known poetic form and whereas the limerick is used almost exclusively for humourous--if not downright ribald--ends (though Tennyson supposedly wrote a melancholy example), the sonnet is an altogether nobler structure, with Shakespeare's sonnet sequence being the most virtuoso expression of its poetic possibilities. As Don Paterson, himself an accomplished poet and sonneteer, observes in his introduction, the sonnet's rules of construction are both strict and easily broken, but its 14 lines and patterning of rhythm and rhyme outline a form of great versatility, capable of encompassing complex perception, wit and amourous rumination: Dante Gabriel Rossetti's claim that "A Sonnet is a moment's monument,-- / Memorial from the Soul's eternity" is evidence of the loftier aspirations of the form, while Sean O'Brien's line "What better excuse to go out and get pissed?" exemplifies the sonnet's more profane pleasures.

This collection demonstrates the sonnet's enduring appeal to poets from the 16th century to the present-day--from Wyatt, Shakespeare and Milton, to Armitage, Heaney and Carol Ann Duffy. Paterson cleverly opts for a non-chronological approach--his innovative juxtaposition makes fresh even familiar examples, and his brief notes on each poem's technique and treatment of subject are illuminating, laconic and often irreverent. If the tone of these annotations veers occasionally towards the bluff and overly matey, it is perhaps an indication of Paterson's confidence in the form hitched to the sensibility of a seasoned craftsman--the introduction likewise shifts from the pragmatic and informative to the speculatively baroque--but the end result is a collection of many pleasures and surprises and a bold reassertion of the continuing tradition of formal poetry. --Burhan Tufail --This text refers to an out of print or unavailable edition of this title.

Book Description

A collection of classic sonnets introduced by one of Britain's foremost contemporary poets

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Customer Reviews

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Most Helpful Customer Reviews
23 of 23 people found the following review helpful
A little jewel box 26 Feb 2003
Format:Paperback
"Poets write sonnets because it makes poems easier to write. Readers read them because it makes their lives easier to bear"

That's how Don Paterson concludes his crash course on the sonnet which forms the introduction to this little jewel box of a book. Master of the aphorism, he carries his elegantly succinct style into the notes on each one, deftly throwing open even the least inviting and initially inaccessible poems of the collection.

There are many classics here, from all the undisputed experts. Even Shakespeare is allowed only one entry though, leaving plenty of room for newer and less familiar writers. But why do the editors of these collections never feel able to slip in one of their own works? An acclaimed sonneteer himself, Don Paterson is ideal as editor but surely he should qualify as one of the 101 too?

You don't need to know one end of a sonnet from another to get a lot out of this collection. If he'd called it 101 poems with rather a pleasing shape, which each takes up about two thirds of a small page, and most of which will kick you in the stomach, I'd still have carried the book around for weeks, and would still be reaching for it when heading for the bus stop. I'm not sure it's made my life easier to bear, but it's certainly made an English February easier to endure.

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12 of 12 people found the following review helpful
By A Customer
Format:Paperback|Amazon Verified Purchase
This is a collection of sonnets, reflecting a host of different poetic styles from the sixteenth century (Sidney, Spenser, Shakespeare) up to the present (Craig Raine, Paul Muldoon). Don Paterson's notes and introductory essay are simple and useful. The volume fits in a pocket, and is excellent for carrying around with you. Why would you want to do this? A sonnet is really a bite-sized entertainment.
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6 of 6 people found the following review helpful
By Lady Fancifull TOP 100 REVIEWER
Format:Paperback|Amazon Verified Purchase
I was seduced into buying this delicious little book by Eileen Shaw's review - she helpfully gives a full example of one of the probably less well known sonnets, and then (in comments, in reply to a question,) gives another

So if you want examples of some pretty damn stunning sonnets which may not be in your existing poetry collections - read her review for a couple of tasty samples.

The foreword to this collection is vivid and muscular, the least dry explanation of the evolution of the sonnet out there. Paterson's own visceral response to poetry is palpable and infectious.

The sonnets are ordered not by alphabetical author progressions, or by date; instead there is almost the sense of each sonnet, leading onto the next as part of a larger ordering of themes, so that the subject matters of the poems slowly progress - sonnets devoted to sexual love and praise of the beloved, sonnets which are almost physically sensuous in their devotion to praising the divine (nice juxtapositions of sonnets lingeringly describing kissing the beloved, to the first poem in 'the divine' series, a sonnet by Wilfred Owen describing kissing the Cross. And on.

This very subtle, personal but unexplained, un spelt out (by Paterson) ordering of the sonnets is itself a delight and revelation, so that one can have a very modern sonnet cheek by jowl with one of the very well known ones, and the progression of subject and neighbouring sonnets slightly change the way one reads the familiar sonnet - it becomes 'as though for the first time' once more

As another reviewer also notes, the 5 or 6 line notes on each sonnet right at the end of the book are excellent and illuminating - but utterly unobtrusive. Paterson trusts the sonnets, and the reader's personal experience of those sonnets properly, and does not forcefully insert his own interpretation of them onto yours. You have your own relationship with each poem, and can then choose to see, not a dissection of the poem, but the recounting of someone else's experience of it. He doesn't break the lovely thing apart, he leaves it whole, but maybe encourages the reader to look afresh or through different eyes.
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