Depending on your interpretation of 'The Blues', this is a jamboree bag of mixtures.
There is no defining blues, nor jazz, nor any pigeon-holing. Blues, as much as any music, is produced by performers in the right frame of mind. Whether this is based on love, passion, despair, anguish, bereavement, joblessness, substance abuse, jail, frustration, happiness, self-expression, community spirit, I don't know. Who cares as long as the output is stunning? Blues is certainly from the heart and soul.This compilation extends the so-called 'traditional' ground roots music to more modern interpretations. The 12 bar format has been revamped. The emotion is still there.
Here we have, for example, Robert Johnson, Howlin Wolf, Lightnin' Hopkins, John Lee Hooker, Lead Belly, Little Walter,Fred McDowell, Son House. Undisputed bluesmen. Along come John Mayall, Alexis Korner acknowledged Bluesmen, followed by The Small Faces, Rod Stewart, Cream, ZZ Top, Canned Heat, Bo Diddley, Free, Tim Hardin, Rolling Stones. Billie Holiday and Bonnie Raitt are in there,too.
This is not being derisory nor prescriptive, but exemplifies where the boundaries in music are futile if they do ,if ever exist. The musical content is excellent. The order is offbeat. We have '100 Years'. It clearly is longer if not recorded and the next 100 is crystal ball work.
The accompanying notesheet gives basic discographical details and the anonymous school-book text is very generalised and not particularly informative. Having said that the basic musical heritage continues in performance from grass roots acoustic to earth-shattering electrics. 46 tracks to keep an open mind. Sound quality is very clean and good.