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The film's physical prowess is anchored by the Nautilus, an impressive full-scale gothic submarine complete with red carpet and pipe organ. In the era of big sets, 20,000 Leagues set a precedent for films shot on the water and deservedly won Oscars for art direction and special effects. Lost in the inventiveness of the film and great set pieces including a giant squid attack are two great performances. Mason is the perfect Nemo, taut and private, clothed in dark fabric that counters the Technicolor dreamboat that is the beaming red-and-white-stripe-shirted Kirk Douglas as the heroic Ned Land. The film works as peerless family adventure nearly half a century later. --Doug Thomas
I am a lukewarm sort of fan of the Ray Harryhausen scifi epic B-movies of the 60s, which is to say, I applaud what they aim to do and the sheer fun they had doing it. With Disney's '20,000 Leagues Under the Sea' we're in another realm altogether, the realm of big bucks and limitless ambition, and every cent of it shows on the screen. Today, obviously, they would film the climactic battle with the giant squid with ample use of CGI, which in my mind only serves to make things look artificial, and they would get nowhere near the dynamics and energy that exudes from this film.
James Mason's portrait of the desillusioned idealist Captain Nemo has well-deserved classic status, but too little has been made of Kirk Douglas's cheeky and heroic harpooner, and I just love his duet with the seal!
Underwater photography was hardly new in 1954, but never had it been used so extensively nor to such visually beautiful effect, and the art designs--particularly those for the Nautilus--are justly celebrated. But for all its beauty, it is the performances which make the film work. James Mason does not merely play Nemo, he seems to be Nemo; after seeing his performance it is impossible to imagine any other actor in the role. Paul Lukas adds yet another brilliantly understated performance to his memorable career, and while Kirk Douglas and Peter Lorre are hardly the Ned Land and Conseil of the Verne novel they have surprising chemistry and lend the film considerable dash.
At the time of its release, LEAGUES was the single most expensive motion picture ever made (ironically it would loose that dubious distinction later that same year to yet another film featuring James Mason: A STAR IS BORN), and every penny of the money spent shows in the onscreen result.
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